Current Season


Dear KNOW Theatre friends:

Given the coronavirus outbreak and the uncertainty surrounding the next few weeks, we’ve decided to postpone our production of “Gidion’s Knot,” which was scheduled to open April 10.

The health and well-being of our patrons, actors, crew and volunteers are our most important concern during this trying time. As excited as we are to share this play with you, we would never want to put anyone at risk.

We hope to reschedule “Gidion’s Knot” soon. Keep an eye out for news on our Facebook page or through a future email like this one.

Those of you who have purchased tickets for this postponed production will receive refunds through Square. If it’s within your means, please consider a donation to support KNOW’s monthly costs for rent, heat, electricity, etc. that will continue through April.

We hope everyone stays healthy, and we will see you soon.

— Tim Gleason, KNOW Artistic Director
and the KNOW Theatre board

All shows are performed at 8pm on Fridays and Saturdays, and at 3pm on Sundays,

2nd Thursdays are Pay-What-You-Can Performances


Man of La Mancha Book by Dale Wasserman, Music by Mitch Leigh, Lyrics by Joe Darion

September 13, 14, 15 / 19*, 20, 21, 22 / 27, 28, 29

Man of La Mancha is one of the world’s most popular musicals. Inspired by Miguel de Cervantes’ seventeenth-century masterwork Don Quixote and set during the Spanish Inquisition, the original 1965 production won five Tony Awards, including Best Musical.
Cervantes is in prison awaiting trial. He and his fellow prisoners perform a play-within-a-play, telling the story of the elderly Alonso Quijana, who renames himself Don Quixote and goes on a quest to right all wrongs in the world.

KNOW Theatre’s Celtic Christmas

December 14, 2019 (7 – 10pm)

Tickets—$50 – only 150 available, PRESOLD ONLY

Join us for yuletide mirth and merriment at our annual fundraising event at Atomic Tom’s on State Street!
It’s an evening of Irish music, food, drink & laughter to warm the holiday heart.
Here is just some of the fine entertainment we’ll have:
The Stoutmen
B.C. Celtic Pipe & Drums
Comedy by Gleason’s Groaners
Ample Guinness, Harp & domestic beer, wine, and sodas
Silent & Live auctions of one-of-a-kind items

Tickets are $50 and are presale only – no tickets will be sold at the door. And there are only 150 of them so get yours now! Call 607-724-4341 or visit for tickets!

Killer Joe by Tracy Letts

February 14, 15, 16 / 20* 21, 22, 23 / 28, 29, & March 1

This exciting first play by the author of August: Osage County premiered at Chicago’s
Steppenwolf Theatre before going on to acclaimed productions in London and New York. Hired by the dissolute Smith family to murder the matriarch for insurance money, Killer Joe takes the daughter to bed as a retainer against his final payoff, which sets in motion a bloody aftermath as the “hit man” meets his match.
“Set in Dallas, Killer Joe revels in its white trash stereotypes, and gives you permission to do the same; it’s pulp fiction which has it both ways, deriving humor from dirty realism. It’s slick, it’s well constructed, it knows exactly where it’s going.” — New York Daily News

Gidion’s Knot by Johnna Adams

Over the course of a parent/teacher conference, a grieving mother and an emotionally
overwhelmed primary school teacher have a fraught conversation about the mother’s son. Gidion may have been bullied severely — or he may have been an abuser. As his story is slowly uncovered, the women try to come to terms with excruciating feelings of their own culpability.
“…[A] particularly eloquent study of people caught between the competing demands of reason, morality and family… harrowing… a narrative that is as elegant as it is chilling.”
—Washington Post
“[H]eart-stopping… the show has pathos and suspense in bucketloads…. Within a lean 80 minutes, the show raises profound questions about parenting and education and documents the gut-wrenching force of maternal loyalty.” — Washingtonian
“GIDION’S KNOT is as sad as life itself, and as funny and startling as well… a beautiful, disturbing story.” —

Agnes of God by John Pielmeier

June 12, 13, 14 / 18*, 19, 20, 21 / 26, 27, 28

Summoned to a convent, Dr. Martha Livingstone, a court-appointed psychiatrist, is charged with assessing the sanity of a novice accused of murdering her newborn. Miriam Ruth, the Mother Superior, determinedly keeps young Agnes from the doctor, further arousing Livingstone’s suspicions. Who killed the infant, and who fathered the tiny victim? Livingstone’s questions force all three women to re-examine the meaning of faith and the power of love, leading to a dramatic, compelling climax. A hit on Broadway and later on film.
“Riveting, powerful, electrifying drama… the dialogue crackles.” — New York Daily News
“Unquestionably blindingly theatrical… cleverly executed blood and guts evening in the theatre.” — New York Post